Posted on November 24, 2018
By Brandon Adamson
The customer is always right?
The customer is usually a pest
Wouldn’t it be great if on Black Friday,
department stores were transformed into giant bug zappers?
The swarms of unsuspecting critters greeted with
jolts as they overwhelm the entrances…
complete with Batman tv show sound effects like
No one is immune, though some are resistant
As I maneuver into Pacific Sunwear like an agile moth
drawn to the flickering light
I’ve got to snag that vertical striped
button down shirt.
We endure the sparks and the
static shocks which await
in exchange for the fabrics we crave.
Posted on November 22, 2018
By Brandon Adamson
but a heroic manager defies his corporate handlers and
at the last possible moment
decides to keep the store closed.
Just stands there smugly,
and laughing diabolically at all the
stupid, beastlike customers waiting in futility
for doors which will never open
Posted on November 21, 2018
The Invisible Luck
by Brandon Adamson
Having gone through a rough patch
a mad scientist
eager to gain a new lease on life
*drinks potion of invisibility*
(his latest concoction)
“Mwahaha! The world is mine!”
*gets hit by a car the first day cause drivers can’t see him*
Posted on November 18, 2018
Podcast can be heard here.
Intro: Throw Your Love
Birthday Boy 22nd Anniversary Edition cassette re-released on Captain Crook Records
Inspiration from an isolated lifestyle and lack of personal relationships
Writing songs about characters on TV shows such as Melrose Place
Brandon’s obsession with the E! Channel in the 90s
Musical influences from 70s light rock to 90s Indie
Infamous rejection letters from major record labels
Aspiring to be an indie version of a Seventeen Magazine popstar
Squandered opportunities and big breaks
How for years Brandon was embarrassed by old recordings but eventually came to embrace them.
Posted on June 29, 2018
Since today is my birthday, you can take this opportunity to purchase a limited edition cassette of a crappy lo-fi EP I released in 1996, (which has been re-released by a label in Eugene, Oregon without my knowledge or permission.) I guess I’ve finally reached the age as an artist where young people take up an interest my shitty and obscure early recordings, so I’m honored and grateful for that. I may not be worthy of such recognition, but no one can ever say I didn’t pay my dues.
Birthday Boy was originally released in October of 1996. It was recorded on a Fostex XR-3 when I lived in my first apartment, at Desert Star Apartments in Phoenix, AZ. The complex was a mildly seedy dump back then, but now resembles a dangerous, post apocalyptic wasteland. The apartment only came with basic cable, of which the only cable channels included were The Family Channel, C-Span and the E! Channel. That’s it, nothing else. Living on my own and knowing very few people in the city, I spent most of my spare time watching the E! Channel, which at the time featured reruns of Melrose Place, WKRP in Cincinnati, One Day at a Time, and Alice. Regular tv also aired reruns of Charlie’s Angels and The Rockford Files during this period. I mention this because the era has become an enduring inspiration for me and a formative part of my identity.
Since I was living a fairly isolated lifestyle and wasn’t socially active, I frequently wrote songs about the lives of characters on the shows I was watching. For example, the second track on Birthday Boy is titled Right Back Where I Started, but the lyrics actually chronicle the romantic and often diabolic misadventures of the character Michael on Melrose Place. There are dozens of similar recordings which once existed, such as my spoken word cover of the theme song of WKRP in Cincinnati (which was re-worded and adapted to be about Arizona.) Sadly, I have moved nearly 30 times since then, and these other recordings have all been lost over the years…having been last seen around the year 2004 or so.)
The show Alice was also a show which I found oddly relatable as an 18 year old young man. The plot of Alice was centered around a woman who was driving to Los Angeles to start a new life and pursue a singing career, but her car broke down in Phoenix. She ends up staying in suburban Phoenix after she’s forced to take a job at a diner there to make ends meet, and the place starts to grow on her.
Anyway, that is the story of Birthday Boy. The cassette re-release can be purchased HERE. Special thanks to Captain Crook Records for rediscovering this uncharted “fool’s gold” record. The limited edition cassette re-release is almost sold out, but Birthday Boy (along with many other recordings) can still be purchased through iTunes as well.
An obscure 90’s oddity, Birthday Boy’s aesthetic resembles something of a “Lo-Fi Leisure Suit Larry.” The song, Right Back Where I Started chronicles the love life of the character Michael from the show, Melrose Place. Originally released on cassette in 1996, this is one the most unusual recordings from a highly experimental era of indie alternative music.